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Additional resources for The Writing Experiment: Strategies for Innovative Creative Writing
There, I stopped it; at dawn the northernmost edges lay over the Plaza; the free-hanging motion was frivolous and gentle. But experiencing a faint irritation at stopping, even to protect the trees, and seeing no The Writing Experiment-PAGES 6/1/05 12:57 PM Page 35 Genre as a moveable feast 35 reason the balloon should not be allowed to expand upward, over the parts of the city it was already covering, into the ‘‘air space’’ to be found there, I asked the engineers to see to it. This expansion took place throughout the morning, soft imperceptible sighing of gas through the valves.
26 So there I was, two-wheeling out of your sight past glinting steel silos crammed with the crushed blood of the Minervois grape, while Gillian was doing a fast-fade in my rear-view mirror. A gauche The Writing Experiment-PAGES 6/1/05 12:57 PM Page 23 Playing with language, running with referents 23 term, don’t you find—rear-view mirror—so filled with plod and particularity? Compare the snappier French: rétroviseur. Retrovision: how much we wish we had it, eh? Those who forget their history are condemned to repeat it.
However, understanding how to create metaphors is a fundamental strategy that is useful to know about, whether you decide to implement it or not. So another way of saying ‘she wondered whether to open the door’, would be, ‘she asked herself the question whether she should open the door’. 20 the door calls but she cannot find her reply. The Writing Experiment-PAGES 42 6/1/05 12:57 PM Page 42 The Writing Experiment Here the door becomes animate. In the next example the animation of the door is combined with wordplay on call.