By George Beahm, Michael Whelan, Glenn Chadbourne, Stephen Spignesi
The Stephen King Companion is an authoritative examine horror writer King's own existence occupation, from Carrie to The Bazaar of undesirable Dreams.
King professional George Beahm, who has released greatly approximately Maine's major writer, is your professional advisor to the imaginitive global of Stephen King, masking his various and prodigious output: juvenalia, brief fiction, constrained variation books, bestselling novels, and picture diversifications. The booklet can also be profusely illustrated with approximately 2 hundred pictures, colour illustrations through celebrated "Dark Tower" artist Michael Whelan, and black-and-white drawings via Maine artist Glenn Chadbourne.
Supplemented with interviews with pals, colleagues, and mentors who knew King good, this ebook seems at his early life in Durham, while he started writing fiction as a tender youngster, his collage years within the turbulent sixties, his struggles with early poverty, operating full-time as an English instructor whereas writing part-time, the lengthy street to the ebook of his first novel, Carrie, and the handfuls of bestselling books and significant monitor variations that followed.
For lovers outdated and new, The Stephen King better half is a entire examine America's best-loved bogeyman.
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Extra resources for The Stephen King Companion: Four Decades of Fear from the Master of Horror
Reading in the horror field meant discovering other writers, and it wasn’t long before King encountered the work of a California writer named Richard Matheson who wrote about horror in a contemporary vein: The monsters weren’t in moldering graveyards and decrepit castles in Europe but in American cities. His best-known novel, I Am Legend, published in 1945, single-handedly popularized the vampire genre and the disease-borne apocalypse, both major themes that would show up later in King’s novels for Doubleday, ’Salem’s Lot and The Stand.
David King replied: Nothing. I don’t remember the man personally at all. I do remember that at one point—I guess when we got back to Durham, Maine—Stevie and I found a trunk up in Aunt Ethelyn’s garage that contained a lot of books on seamanship and that sort of thing, and in fact, there was even one of his Merchant Marine uniforms in it. We also had several still pictures of him and one sixteen-millimeter film that he had taken. One scene from that film that I can remember was of the ship he was on going through a storm.
For most kids, the matinee was just a good time, but for King, the experience of seeing movies was a lot more valuable. In The Complete Stephen King Encyclopedia, Chesley observed that: A bridge over the Androscoggin River in Lisbon Falls, Maine. Steve was very influenced by the movies. He would write up sequences for these stories. For instance, he did one called “The Pit and the Pendulum,” but he didn’t use Edgar Allan Poe’s story. Instead of telling the story from the book, he would write the movie scenes down in words.