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By Maxim Jakubowski

Where do technology fiction writers get their suggestion from? many of the top authors within the box take on this interesting topic in a sequence of essays reprinted from one of many genre's most useful serious journals, origin no matter if veterans like octogenarian Jack Williamson, acclaimed literary personalities like Ursula okay. Le Guin or more youthful, upcoming authors like Gwyneth Jones, a wide selection of SF craftsmen exhibit their secrets and techniques, either own and analytical. this can be a selection of essays of significant allure to someone drawn to SF or, for that subject, artistic writing.

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Extra resources for The Profession of Science Fiction: SF Writers on their Craft and Ideas

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I think, however, that I have done much more original work, which will in the end also prove to be more lasting. In order to keep this essay down to manageable length (and in part, I suspect, because I seldom enjoy reading autobiography and actively loathe writing it), I have barely managed to mention literary interests of mine quite outside sf, and among these is philosophy. A number of them surfaced at the same time in A Case of Conscience, which began its quite astonishing publishing history - at the time I was writing it, I was convinced that it was unsalable- as a 23,000 word magazine story in 1953.

Yes ... Yes ... " But his rare pointed questions, his suggestions and disarmingly tentative explanations tear the veil from many a disguised expression. Slowly I have come to understand myself, though I know even less psychoanalytic theory than when I came. Such words as 'libido' and 'id' seem strange when I recall them, for I was requested at the beginning to stop reading Freud and his followers. There have been dramatic moments. ' The dog, I said, had been mine when I was a tiny child, and I had caused its death.

This is all childish, I say; silly. I want to write, perhaps more than anything else I could do. There is no visible reason why I can't, and every necessity that I should. So I try again. But the machine mocks me. The few words I write are dry and empty ... I rip the page out . . Baffled, defeated, I throw myself down on the bed. But I am too tense to relax, too bitter. I get up and try to read, try to study some other man's story. But it seems as hollow as my own. And I know the tricks well enough, if I could only muster up the feeling.

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