By David Galens
Read Online or Download Short Stories for Students, Volume 17 PDF
Best erotica books
Brad is brief of money. He's misplaced his task, and if he can't locate the lease cash by means of Friday, he's going to be evicted. He solutions a task to paintings as a strip-o-gram, yet finally ends up getting greater than he bargained for.
The satan provides George Cannon limitless libido and the power to place the psychological sexual squeeze on any lady, in go back for George's promise to seduce virgins simply, and hence aid replenish Hades. yet George can't face up to older, more matured women…
SHE used to be every kind OF improper FOR ROYALTY. .. whilst it got here to kingdoms, impulsive, up-from-the-streets Cleo Wilson was once no Cinderella. Why, mere months in the past she'd performed the unthinkable: fallen for conceited, impossible to resist Prince Sadik--and arise pregnant! Now, in short again in Bahania, she needed to cover her burgeoning curves or threat wasting her baby-to-be to royalty!
Advertising whiz Jessica Howell wishes a few "arm candy"--a deliciously horny guy through her facet to maintain her married playboy boss in line. Dan Crawford suits the bill--he's good-looking, discreet and on hand. certainly the ideal escort for the celebration circuit and media blitz surrounding Jessica's scorching new cosmetics crusade.
- Divided (Brides of the Kindred, Book 10)
- Doctor's Orders: The Complete Series
- The Marriage Bed (Avon Romantic Treasure)
- Meeting a Neighbor's Needs
Extra info for Short Stories for Students, Volume 17
Yet the narrator rarely tires of pointing up the mediocrity of The Earth, in spite of the Dante legacy suggested in Daneri’s name. The second model, covertly present, is Dante’s epic, especially the Paradiso. The Dante parodies, allusions, and parallels in the story continually bring the authorial reader back to Dante’s own poetics of total vision as set forth in the Paradiso. Drawing on Borges’s comments as well as his practice, one can infer three aspects of the Commedia that make it for Borges the paradigmatic long poem: it encompasses the medieval cosmos in a total vision ; it exploits the method of signiﬁcant omission to give the impression that it is neither incomplete nor redundant ; and, also by this method, it enforces the illusion of its own unity and thereby the transcendental unity of all things .
220. ———, ‘‘Commentaries,’’ in The Aleph and Other Stories 1933–1969, E. P. Dutton, 1978, p. 263. ———, ‘‘The Fearful Sphere of Pascal,’’ in Labyrinths, edited by Donald A. Yates and James E. Irby, New Directions, 1964, p. 191. ———, ‘‘Kafka and His Precursors,’’ in Labyrinths, edited by Donald A. Yates and James E. Irby, New Directions, 1964, p. 201. ———, ‘‘The Witness,’’ in Labyrinths, edited by Donald A. Yates and James E. Irby, New Directions, 1964, p. 243. Christ, Ronald, The Narrow Act: Borges’s Art of Allusion, New York University Press, 1969, pp.
Yet some of the most beautiful Arabic poetry is written by Suﬁs, probably because of their effort to ﬁnd the words most apt to describe the ineffable. Borges, again, is aware of this: How, then, can I translate into words the limitless Aleph, which my ﬂoundering mind can scarcely encompass? Mystics, faced with the same problem, fall back on symbols . . Perhaps the Gods might grant me a similar metaphor, but then this account would become contaminated by literature, with ﬁction. ’’ One is tempted to venture a bold and ambitious suggestion.