Download Recollecting: Lives of Aboriginal Women of the Canadian by Sarah Carter, Patricia A. McCormack PDF

By Sarah Carter, Patricia A. McCormack

Recollecting is a wealthy number of essays that illuminates the lives of late-eighteenth-century to mid-twentieth-century Aboriginal girls, who've been missed in sweeping narratives of the historical past of the West. a few essays concentrate on contributors - a dealer, a performer, a non-human lady. different essays study cohorts of ladies - other halves, midwives, seamstresses, nuns. Authors glance past the documentary checklist and conventional representations of ladies, drawing on files generated through the ladies themselves, together with their beadwork, different fabric tradition, and oral histories. Exploring the limitations and bounds those girls encountered, the authors have interaction with tough and significant questions of gender, race, and identification. jointly those essays exhibit the complexity of "contact region" interactions, and so they increase and problem dominant narratives approximately histories of the Canadian Northwest.

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Extra resources for Recollecting: Lives of Aboriginal Women of the Canadian Northwest and Borderlands (West Unbound)

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52 North West Company trader Alexander Henry reported that a “small band of Courtes Oreilles . . 54 Little has been written about the Odawa freemen community in the Northwest, and most of what has pertains to the first few decades after their arrival. indd 41 16/12/10 2:48 PM recollec ting a distinct Odawa cultural identity would no longer have been perceptible to outside observers. 55 Slight as they are, these references indicate that the western Odawa were highly mobile hunters, expert in beaver trapping.

I went to pay a visit to Mrs. Tait, who lived with her husband at the Fort . . Mrs. Tait had been doing some sewing for me, and was now engaged in making me a few pairs of moccasins to take home on my return. — The Earl of Southesk, Saskatchewan and the Rocky Mountains 9 “Mrs. Tait” — Mary Monkman Tate — is the sole artist whose name Southesk recorded. Southesk visited her in her home at Fort Carlton, a Hudson’s Bay Company post on the North Saskatchewan River where her husband was employed as postmaster.

It is delightful to be again enjoying some of the comforts of civilization, — such as wine, well-made coffee, vegetables, cream-tarts, and other good things too many to mention. — The Earl of Southesk, Saskatchewan and the Rocky Mountains 79 Southesk did not record the circumstances in which he acquired each object that he collected. While his journal entries make possible the identification of Mary Tate as the artist who created the children’s moccasins and of Lisette Waniyande as one of the “three or four” women who could have made his gun case, we must rely on different types of evidence to recover the identities of other artists whose work he acquired.

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