By Raiford A. Guins, Omayra Zaragoza Cruz
Popular tradition: A Reader is helping scholars comprehend the pervasive function of pop culture and the tactics that represent it as a manufactured from industry, an highbrow item of inquiry, and an necessary part of all our lives.
The quantity is split into 7 thematic sections, and every part is preceded by means of an creation which engages with, and opinions, the chapters that stick to. The booklet contains classic writings from all of the 'big names;' lots of modern cultural references that might attract scholars, together with skateboarding, hip hop, model (Tommy Hilfiger, classic) web content, superstar Trek, Disney, etc; material geared up in a skills-focused and learning-focused way; strong pedagogic positive aspects all through, making this a good lecture room text; pieces drawing on assorted nationwide, disciplinary and subdisciplinary contexts; and sensitivity to problems with gender, race and sexuality.
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Additional info for Popular Culture: A Reader
This is not to suggest that the study of popular culture resembles a clean or easy progression. If anything, the essays chosen demonstrate the extent to which breaks from established approaches and new angles of convergence impact the ways that popular culture is known. In other words, this section considers the difficulty of ‘defining’ as a generative site from which to initiate a critical inquiry into the popular. In its organization and content, this section does not purport to arrive at a definitive meaning, so much as it strives to make readers aware that it is in contestation over words such as ‘culture’, ‘mass’, and ‘popular’ that much meaning has been generated.
Montague and Sir Arthur Quiller-Couch’s The Art of Writing, tells us that: Competent copy cannot be written except by men who have read lovingly, who have a sense of the romance of words, and of the picturesque and the dramatic phrase; who have versatility enough and judgment enough to know how to write plainly and pungently, or with a certain affectation. ’ The influence of such skill is to be seen in contemporary fiction. For if, as Mr. ’), tells us, ‘English is the best language in the world for advertising,’ advertising is doing a great deal for English.
New York: Basic Books. ’ In The Clubcultures Reader: Readings in Popular Cultural Studies. ) Oxford: Blackwell. Hall, Stuart and Whannel, Paddy (1964) The Popular Arts. London: Hutchinson. R. (1993 ) American Civilization. Ed. Anna Grimshaw and Keith Hart. Oxford: Blackwell. ) (2002) Hop on Pop: The Politics and Pleasures of Popular Culture. Durham, NC: Duke University Press. ’ American Quarterly. Vol. 42, No. 4 (December), pp. 615–636. ) (1986) High Theory/Low Culture: Analyzing Popular Television and Film Manchester: Manchester University Press.