Download Musicology and Difference: Gender and Sexuality in Music by Ruth A. Solie PDF

By Ruth A. Solie

Addressing Western and non-Western song, composers from Francesca Caccini to Charles Ives, and musical groups from twelfth-century priests to modern opera queens, those essays discover questions of gender and sexuality. Musicology and distinction brings jointly a few of the most up to date and so much difficult voices in musicology this day on a query of significance to all of the humanistic disciplines.

Show description

Read or Download Musicology and Difference: Gender and Sexuality in Music Scholarship PDF

Similar music: guitar books

The new real book: jazz classics, choice standards, pop-fusion classics: for all instrumentalists and vocalists

The recent typical in jazz pretend books due to the fact 1988. counseled via McCoy Tyner, Ron Carter, Dave Liebman, and lots of extra. calmly divided among criteria, jazz classics and pop-fusion hits, this can be the all-purpose ebook for jazz gigs, weddings, jam periods, and so forth. like every Sher track pretend books, it good points composer-approved transcriptions, easy-to-read calligraphy, and lots of extras (sample bass traces, chord voicings, drum appendix, and so forth.

Beyond Talent: Creating a Successful Career in Music

The main accomplished tune occupation advisor to be had: covers the total diversity of profession matters such a lot musicians face. opposite to the normal shaggy dog story approximately tips to get to Carnegie corridor, ''making it'' in tune isn't easily approximately perform, perform, perform. this day, over 200,000 humans within the usa paintings as musicians.

Mek Some Noise: Gospel Music and the Ethics of Style in Trinidad

''Mek a few Noise'' , Timothy Rommen's ethnographic research of Trinidadian gospel song, engages the a number of musical kinds circulating within the nation's complete Gospel neighborhood and illustrates the conscientiously negotiated and contested areas that they occupy in courting to questions of id. by way of exploring gospelypso, jamoo (''Jehovah's music''), gospel dancehall, and North American gospel tune, besides the discourses that encompass performances in those kinds, he illustrates the level to which worth, which means, and appropriateness are always circumscribed and reinterpreted within the technique of coming to phrases with what it appears and appears like to be an entire Gospel believer in Trinidad.

Accordion Dreams: A Journey into Cajun and Creole Music

Via age thirty-nine, Blair Kilpatrick had settled into lifestyles as a training psychologist, spouse, and mom. Then an opportunity come across in New Orleans grew to become her global the wrong way up. She lower back domestic to Chicago with not likely new passions for Cajun track and its defining software, the accordion. Captivated via ordinary goals of taking part in the Cajun accordion, she got down to grasp it.

Extra info for Musicology and Difference: Gender and Sexuality in Music Scholarship

Sample text

Previous page page_36 next page > < previous page page_37 next page > Page 37 men and women she must first herself construct them out of the musical materials. In doing so she adopts the very stereotypes that she has deplored, underscoring them by contrast with the feminine character that she describes in music composed by women. That ascription adds to the confusion, because then it is no longer gender-labeling itself to which she objects, but the male-dominated, gendered scenarios that have filled European music since the Renaissance.

And, third, the mystical and mysterious categories of gender we encountered at the outset are replaced with what may be claimed to be demonstrable categories of gender difference, referred directly to immediate feelings and experiences of sexuality. But these new claims about gender in music force open again a Pandora's box of questions about musical aesthetics that used to be fiercely debated without resolution and about which there has been, in the mainstream of musicological activity, tacit agreement to let them lie.

D. , University of Washington, 1986. 49Musik und Rasse, p. 13. 50 But that is not to say that someone else would have made a better job of it. The problem is with the question itself, which deserves answers of such quality. Is it now to be a task of gender studies in music to reinforce the long-practiced role of gender duality in critical and historical discourse by developing a more explicit essentialism of gender? Does it speak better for the quality of gender characterizations if they are referred directly to the character of sexual feelings and experiences?

Download PDF sample

Rated 4.45 of 5 – based on 41 votes