By Jeannie Cheatham
Jeannie Cheatham is a dwelling legend in jazz and blues. A pianist, singer, songwriter, and co-leader of the candy child Blues Band, she has performed and sung with some of the greats in blues and jazz--T-Bone Walker, Dinah Washington, Cab Callaway, Joe Williams, Al Hibbler, Odetta, and Jimmy Witherspoon. Cheatham toured with immense Mama Thornton on and off for ten years and was once featured with Thornton and Sippie Wallace within the award-winning PBS documentary 3 Generations of the Blues. Her song, which has garnered nationwide and overseas acclaim, has been defined as unrestrained, exuberant, soulful, rollicking, depraved, virtuous, wild, and honest. Cheatham's signature music, "Meet Me along with your Black Drawers On" is a staple in jazz and blues golf equipment throughout the USA and in Europe, Africa, and Japan. during this delightfully frank autobiography, Jeannie Cheatham recollects a existence that has been as exuberant, virtuous, wild, and fair as her tune. She starts in Akron, Ohio, the place she grew up in a colourful multiethnic local surrounded by way of a kin of robust ladies. From these roots, she introduced a musical profession that took her from the Midwest to California, doing time alongside the way in which in all places from a prison cellphone in Dayton, Ohio, the place she was once innocently stuck in a police raid, to the college of Wisconsin-Madison--where she and Jimmy Cheatham taught track. Cheatham writes of a existence spent battling racism and sexism, of rage and unravel, distress and miracles, betrayals and triumphs, of religion nearly misplaced in darkish areas, yet mysteriously regained in a flash of sunshine. Cheatham's autobiography is usually the tale of her fifty-years-and-counting love affair and musical collaboration along with her husband and band accomplice, Jimmy Cheatham.
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Extra resources for Meet Me with Your Black Drawers On: My Life in Music
And I guess that was why it was so easy for her to go right back to work. Since we were in school, Jo-Anne was cared for primarily by Aunt Catherine and M’Da, when he wasn’t doing odd jobs or visiting Cleveland or Pittsburgh. M’Ma tried to hide her unhappiness, but I missed her playfulness. And we all missed M’Da taking us to the library to draw out our own books, and the giant geography jigsaw puzzles he would buy and place on the card table by the door. We would stop and push in a piece or two on our way in or out the house.
The thought of being baptized by the Reverend Uncle Frank produced plenty of chatter in our group. The older kids delighted in scaring the bejeezus out of the little ones. Yet we all continued to resist him as if he were the devil himself. If we succumbed, we knew what would happen, and the Meet Me with Your Black Drawers On 25 thought of that scared us more than the thought of not having our mortal souls saved. It had everything to do with the Reverend Uncle Frank and the cold clear waters of Summit Lake.
In fact, most of the women tried very hard to keep the atmosphere in the homes sweet and gentle because the men started getting kind of quick to ﬁre up, and would say prickly and mean things. Gramma Hattie said, ‘‘Well, I tell you what. You ask a man who he is and he’ll tell you that he works at this place or that place. ’’ All the women nodded their heads in agreement, sadly sipped their hot tea, and made little crumbs out of their 1-2-3-4 cake. ’’ They all tittered nervously at this statement because nobody wanted to be a ‘‘grass widow’’ during these hard times.