Download Marie Jaell: The Magic Touch, Piano Music by Mind Training by Catherine Guichard PDF

By Catherine Guichard

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Extra info for Marie Jaell: The Magic Touch, Piano Music by Mind Training

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Firmly attached to the emancipation of the individual, it rejected the cold materialism of the mounting economic order. In its fight, it tried to join the emotional warmth of the people to the rationalism of the rising middle class intellectuals. It was to follow the trajectory of the material and spiritual upheaval overtaking Europe during the century. Its tenet that art and social action could make for a better world was to shift from optimism to pessimism as profit-driven industrial capitalism gained ground.

Color and Culture, p 235. 42 Marie Jaëll pure landscape. ” As a colorist, his influence on the Impressionists was to be profound. From his work they became aware of mutability as an ever-present reality, and the need to enjoy natural beauty while it lasted. 40 Van Gogh, his most devoted follower, contended that a work of art must be an expression of inner life, and not a slavish imitation of nature. Nineteenth century painters were friends of composers and performers of music. They also viewed themselves as performers and they used their own very ample experience to illuminate their practice as visual artists.

Defenders of truth as clear and distinct ideas obtained through reason, they looked down upon sensory perception as an inferior animal process. The rationalist philosophers also subjected imagination and arts to the rule of reason. 25 1. Marie Jaëll and Her Century With its concern for law, order and conformity, Classicism claimed to define the precise nature and exact limits of each of the arts. It decreed that balance, restraint, symmetry and wholeness must inform all art. Its conventions outlawed extravagance from artistic style so that it could express correctly proper shades of meaning rather than of feeling.

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