By Nicolas Boughen
This e-book is split into 3 major elements: thought, instruments, and perform. half I covers the basics of what gentle is, the way it acts and reacts in our international, and what these reactions seem like. half II covers the digital lights gear to be had to accomplish your LightWave lighting fixtures ambitions. half III bargains with tips to use these instruments to create the lighting fixtures we hope. thought is first during this publication since it is prime to utilizing the instruments. in reality, any artist utilizing any toolkit could make stable use of the theoretical component of this publication. The features of sunshine don't swap, despite what software program you're utilizing.
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Additional info for LightWave 3D 8 Lighting
Expect to spend time outdoors examining the quality of a shadow from a nearby tree. Look not only at the color of the sunlight, but the hue of the shadow. Note how the colored light from one source mixes with the colored light from another source to produce an entirely new effect. To be a successful lighting artist, the properties of light must interest you enough to study them. This section will help you with that. 1 This page intentionally left blank. Chapter 1 Properties of Light This chapter deals with the properties of light in the real world, specifically intensity, color, direction, diffuseness, shadow, shape, contrast, movement, and size.
Note: Bear in mind that it is the look, not the physical accuracy of the lighting model, that matters to producers, directors, and supervisors. The production reality is that any method you can use to create great lighting is valuable. If it is quicker to render and still looks as good, it is more valuable. There are many “tricks” to creating great lighting without the monstrous rendering times. Many of them are covered later in this book. But the main purpose here is to provide you with enough knowledge to create your own tricks that are most relevant to the job you are working on right now.
The large glass windows reveal a wide cityscape many floors below and a moonlit sky twinkles above. In the distance, moonlight reflects off the Pacific Ocean. Sound complex? This scene could be lit with as few as three lights. Why? That is how many light sources that have been described are acting on the foreground of the shot. Adding a few more lights to mimic some of the diffusion and reflection events, rather than calculating real 22 · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · What, Where, When?