By John Chowning, David Bristow
Publication by way of Chowning, John, Bristow, David
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The recent average in jazz pretend books on the grounds that 1988. counseled via McCoy Tyner, Ron Carter, Dave Liebman, and plenty of extra. frivolously divided among criteria, jazz classics and pop-fusion hits, this is often the all-purpose booklet for jazz gigs, weddings, jam classes, and so forth. like any Sher track pretend books, it gains composer-approved transcriptions, easy-to-read calligraphy, and lots of extras (sample bass traces, chord voicings, drum appendix, and so forth.
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Additional info for Fm Theory and Applications By Musicians for Musicians
So that when they’re on a horizontal line it means: If I choose this then that follows, if I choose this other one then that follows. Usually the top one is the one that’s going to work, and I probably ended up using the E-flat, C-minor, et cetera. I was also screwing around with the melodic outline and deciding whether I wanted to use four sixteenths or an eighth and two sixteenths, and sometimes that makes a huge difference. MH: You asked: How else are you going to notate those chords? But in your mind are you also thinking of it as a modulation to that key?
Clearly, what I’m doing is I’m trying to figure out how to have her sing against the Chopin. Because there are two things going on here: there’s the piano piece and her vocal. That’s what I obviously am trying to work out. Let’s see, we’re in the key of . . we’re sort of in the key of D, but not really. MH: Usually, the audience thinks it’s her playing piano upstairs. SS: I’ve established that earlier, so I know that I want to use that. What goes on before the entrance is that we hear the music earlier.
She often gets a manuscript from me that’s full of erasures. Incidentally, one of the small, practical problems of writing music today is that in the old days I used to have a messenger come to the house and pick up the manuscripts and take them to the copyist. Ever since the fax machine was invented, we send faxes. ” You can read my manuscript okay in person, because I write very heavily with a pencil (and I write also with Blackwing pencils, which smudge very easily). I try to write very dark for the copyist to understand it, hoping that she won’t have to call me.