By Elmore Leonard
"These are the principles i have picked up alongside find out how to aid me stay invisible whilst i am writing a e-book, to aid me express instead of inform what is occurring within the story."—Elmore Leonard
For aspiring writers and fanatics of the written observe, this concise advisor breaks down the writing procedure with simplicity and readability. From adjectives and exclamation issues to dialect and hoopetedoodle, Elmore Leonard explains what to prevent, what to aspire to, and what to do while it appears like "writing" (rewrite).
Beautifully designed, full of free-flowing, based illustrations and in particular priced, Elmore Leonard's 10 ideas of Writing is the correct writer's—and reader's—gift.
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Extra resources for Elmore Leonard's 10 Rules of Writing
DON’T G O I N TO GREAT DETA I L DE SC R I BI NG P L AC E S A N D T H I NGS Unless you’re Margaret Atwood and can paint scenes with language or write landscapes in the style of Jim Harrison. But even if you’re good at it, you don’t want descriptions that bring the action, the flow of the story, to a standstill.
He admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange. ” 29 5. K E E P YOU R E XC L A M AT ION P OI N T S U N DE R CON T ROL You are allowed no more than two or three per 100,000 words of prose. If you have the knack of playing with exclaimers the way Tom Wolfe does, you can throw them in by the handful. 33 6. N E V E R USE T H E WOR D S “ S U D D E N L Y ” O R “A L L H ELL BROK E LOOSE ” This rule doesn’t require an explanation.
4. N E V E R USE A N A DV E RB T O MODI F Y T H E V E R B “SA ID” . . . he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange. ” 29 5. K E E P YOU R E XC L A M AT ION P OI N T S U N DE R CON T ROL You are allowed no more than two or three per 100,000 words of prose. If you have the knack of playing with exclaimers the way Tom Wolfe does, you can throw them in by the handful.