Download Early Tahitian Poetics by David Meyer PDF

By David Meyer

From 1963 to 2011 Pacific Linguistics, positioned on the Australian nationwide collage, released over 600 books taken with the languages of the Pacific, Australia, Indonesia, Malaysia, the Philippines, Southeast, South and East Asia. The Mouton Pacific Linguistics sequence represents a continuation of this publishing enterprise less than a similar Editorial Board.

The Pacific Linguistics sequence provides linguistic descriptions, dictionaries, and different fabrics involved in languages of this quarter.

The authors and editors of Pacific Linguistics courses are drawn from a variety of associations world wide, and its courses are refereed through foreign students with appropriate services.

Pacific Linguistics has outfitted a name because the so much authoritative writer of works at the languages of the Pacific and neighbouring components, learn through students with an curiosity within the area in addition to via linguists with pursuits in language typology, sociolinguistics, language touch and the reconstruction of linguistic swap and tradition background. Pacific Linguistics is proud to behave as a car for the dissemination of information in regards to the languages of the Pacific and the Pacific Rim, a lot of that are little identified, and to convey them to the eye of students around the globe, in addition to supplying neighborhood groups with released language fabric, at a time whilst many minority languages are less than threat.

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Extra info for Early Tahitian Poetics

Sample text

It may be of interest that Jack Fischer has made a somewhat similar observation regarding East Carolinian moraic meter. He notes that “the syllabic value of intervocalic or initial prevocalic short i or u may, if required, be omitted, treating them as semivowels” (see Fischer 1959: 49). Another consideration in the determination of syllable count concerns adjacent vowels at word boundaries. In non-elaborated speech, two words are heard to share a syllable when identical short vowels meet (Coppenrath & Prévost 1974: 10–11).

The structure “seeps to the surface ... through the repetition process” (Lévi-Strauss 1970: 105). For some languages, parallelism is the predominant poetic device. John Dubois notes that such is true for Cuna, Kiriwina, and Rotinese poetic traditions, and perhaps all poetry of the Mayan languages (DuBois 1986: 318). Jakobson states that one of the roles of parallelism is to project inevitability: a form is first foreshadowed, and then occurs (DuBois 1986: 326– 327). He in fact regards parallelism, broadly defined, as the essential poetic process, observing that: Poetic language consists of an elementary process: the bringing together of two elements.

Moods 9. Voices 10. Classes of abstract and concrete words 11. Animates and inanimates 12. Appellatives and proper names 13. Affirmatives and negatives 14. Finite and infinite verbal forms 15. Definite and indefinite pronouns or articles 16. Diverse syntactic elements and constructions (Jakobson 1968: 604) For brevity, however, discussion below shall be restricted to syntactic parallelism (item 16 of Jakobson’s list) and semantic parallelism, due to their widespread application and frequent co-occurrence in oral poetry.

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