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By Humphry House

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It is important to remember that the cal, partly practical. , "The technique, general of poetry", re^vr] is in the first instance "the art of building"; then it comes to mean the "practical art" or technique of making mason; our "architect" is from anything. TCKTOIV the same root. This explains the rather dogmatic form of many sentences in the Poetics, the tone of which would be understood between master and pupil as being relative to the situation in which the pupils were, and as bearing therefore on the state of full 77-01777-1/07 principles and T^T], rules, = Greek literature as they knew it.

Arrangement of parts". This comparison goes back to Plato's Phaedrus (264 where Socrates says, of a speech, that it: in its c) ought to be put together like a living creature, with a body of its own, not headless or footless, but having middle parts and extremities properly in keeping with each other, and with the whole. The ideas of order, harmony, proportion and completeness are all present in the normal Greek idea of what is beautiful; and when attached to a "living creature" (whether a man or an animal) would requife not only structural completeness, but also 1 good health.

Chs. i-v. Epic and 1 Cf. " An Comedy introductory discussion of Tragedy, as the chief kinds of Poetry , all poetry 'What! ' exclaims the Knight. ' Pope, Essay on 37 Criticism, 11. 297-80. being a form of Imitation, closely linked in this to Music. ) The general theory of Imitation I am, as I have said, postponing. In this part, ch. iv deals shortly with the psychological and historical origins of poetry and gives a summary history of Tragedy. Also, the second half of ch. v belongs * specially to chs.

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