By Baudelaire, Charles; Baudelaire, Charles; Salines, Emily
Alchemy and Amalgam explores a comparatively un-researched zone of the Baudelairean corpus (his translations from English) and relates them to the remainder of his works. It seeks to set up a hyperlink among translational and inventive writing, arguing for a reassessment of where of translation in Baudelaire’s writing process. instead of a sideline in Baudelaire’s inventive actions, translation is hence proven to be a significant kind of twin writing on the middle of his works. Baudelaire’s translations from English, his consistent rewriting of pre-existing fabric (including his own), the doublets, the transpositions d’art, and the artwork feedback are all in response to an method of writing that's primarily by-product but in addition transformative. therefore the Baudelairean scan illustrates the bounds of romantic notions of originality, creativity and genius, reminding us that each one writing is intrinsically intertextual. It additionally indicates the complexity of translation as a kind of production on the center of contemporary writing.
The publication is likely one of the first of its style to hyperlink the examine the translational task of an important author to his ‘creative’ writings. it's also one of many first to supply an built-in presentation of French 19th-century translation techniques and to hyperlink them to questions of copyright and authorship within the context of the increase of capitalism and romantic perspectives of production and genius. It bargains, hence, a brand new viewpoint either on translation heritage and on literary heritage.
Alchemy and Amalgam can be of curiosity to scholars of translation, comparative literature and French reviews
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Extra info for Alchemy and amalgam : translation in the works of Charles Baudelaire
However, the principle underlying this condemnation of another translation – that a French translation must read like French, and not like translated English, but still render the original text accurately – seems to have been the guiding principle of Baudelaire’s translations of Poe. 80 Stylistic and aesthetic concerns may therefore be the reason for some modifications made by Baudelaire to the original text. The most basic of such modifications is frequent changes in word order: Its decorations were rich, yet tattered and antique.
40 34 Alchemy and Amalgam French translation of the foreign space presented to American readers through the creation of a fictitious Paris. Elsewhere, as in ‘La Lettre volée’, the footnotes are explanatory, for instance: ‘Encore un meurtre dont Dupin refait l’instruction. – ‘Le Double Assassinat dans la rue Morgue’, ‘Le Mystère de Marie Roget’ et ‘La Lettre volée’ font une espèce de trilogie’,43 which puts the story within its context. 44 More importantly, the footnotes sometimes supplement the translation when the latter fails to restitute fully the source text.
Despite such passages, most of ouvrages and œuvres is made up 99 Ouvrages73, p. xxxviii. See Chapter 6. 100 50 Alchemy and Amalgam of indirect translations, often closer to paraphrase or summaries. The following passages exemplify this. Daniel’s text reads as follows: He wrote for newspapers, compiled and translated for booksellers, made up brilliant articles for reviews, and spun tales for magazines. ’ At last a newspaper in Baltimore offered two premiums – for the best poem and the best prose tale.