Criticism

Five Ways to Make Architecture Political: An Introduction to

Format: Hardcover

Language: English

Format: PDF / Kindle / ePub

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Downloadable formats: PDF

Often condemned as the intolerant voice of the masculine establishment and regularly associated with Eurocentrism and even imperialism, the once-sacred literary canon is now more likely to be ridiculed than revered. In spite of the above distinctions and gradations of Renaissance style, as between the fifteenth and eighteenth centuries inclusive, we are also obliged to admit that as late as the eighteenth century bold and powerful composition was still generally practiced and that our own nineteenth century Renaissance has been, generally speaking, the weakest of all, both in composition and detail.

Pages: 240

Publisher: Bloomsbury Academic (May 18, 2017)

ISBN: 1474252354

A political tendency is the necessary, never the sufficient condition of the organizing function of a work’ (p.233). Benjamin presents to the writer – and Tafuri to the architect - ‘the demand to think, to reflect on his position in the process of production’ (p.235). 17 Tafuri refers extensively to Benjamin’s ‘The Author as Producer’ in ‘“L’architecture dans le boudoir”’, La sfera e il labirinto, pp.323-354 (see in particular pp.351-354). 18 Benjamin, W. ‘The Author as Producer’, Reflections, p.222. 19 Ibid., p.223. 20 Here Benjamin moves on to consider the redefinition of literary forms or genres, from the role of the press, that revises ‘the distinctions between author and reader’ (Ibid., p.225) to Brecht’s Umfuntionierung [functional transformation] of theatre with his epic theatre focused on the interruption of action and the portrait of situations rather than on the narration of plots. 21 Ibid., p.233. 22 On the relationship between the specificity of the discipline and its engagement with the context Benjamin continues, ‘[…] only by transcending the specialization of the process of production […] can one make this production politically useful; and the barriers imposed by specialization must be breached jointly by the productive forces that they were set up to divide.’ (Benjamin, W. ‘The Author as Producer’, Reflections, p.230) , source: Candide 5: Journal for Architectural Knowledge.
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